Breaking away from the system to go elsewhere, breaking away to be

reborn.

​

In this work, we are looking to explore the idea of rupture, which underlines the contradictory spirit that we
develop through the body in the final works. The rupture is not a surprise, the rupture is, here, an accessory that
we use to create a shift in the path of the movement.

William is interested in this idea of contact dance, which he takes completely the wrong way round. Contact
dance is raw and not fluid. Something on the order of urgency. Like a kind of euphoria where the desire to touch
the other takes priority over the technique of the body and the dancer. We try to study the space and translate it
into a playground where the body can tell its story. Urgency means raw and dry. Two words that underline the
main lines of our research work. The study of movement and its meaning is of real importance in our work.
We're working on a dance and performance that moves around, but above all addresses the public.
Authenticity is an important subject and moment in each work. How can an artist be authentic? How can we put
our knowledge as dancers in the background and our experience as humans center stage?